#learn to like sketches and do a lot of them

[ghouljams]

hey, ghoul! idk if you know, but quick questie. Do you know if text to speech tools steal the text to train writing ai? Grammar checkers are sketching me out too, its stressful out here. tysm

Language modeling software (lms) has been around since before Ai scraping and has been "trained" on just about everything, but most importantly it has been train on and by human interaction and intervention.

Something like a screen reader (an accessibility tool) is not likely to be stealing text to train writing Ai. It isn't an intelligent machine it is solely reading aloud the material fed through it and has been around for much longer than Ai because it is an accessibility tool.

Grammar and spelling checkers however are constantly training themselves based on human writing. They are formatted initially with the rules and spellings that they're supposed to have, but as more people use a spell/grammar checker it begins to go with what the most people are using for spelling/grammar. So if a lot of people spell something wrong the first try the spell checker might start thinking that's how its spelled, or if a lot of people use a specific kind of comma splice, or if you forget an apostrophe a lot or whatever. Your spell/grammar checker is constantly learning from you and adjusting itself to you. My spell check on my phone no longer autocorrects im to I'm because I wasnt typing out the correct "I'm" so it assumes im is a word now.

They are not smart robots, but most of them have a way to turn off ai scraping.

[midnightwind]

it's past midnight for me so welcome to WIP Monday where I hope sharing these will help kick my ass into finishing

first up is Nerine, my Triton Paladin Oath of the Open Sea in her armor and casual wear, I still have her fishing gear to design and I want to take another pass at her sword (and make her mace maybe) I might also change up her jewelry ;; shout out to my bud Lyvi for helping with her holy symbol design, I fell in love with your ideas

and then we have Solstice, my Arknights OC I've been sitting on for Years by now lol there was that meme eons ago of assigning a class, subclass, and faction to your buddies to generate their government assigned operator and I got hit with Caster, Nuker, and Karlan which, uh, fits... I want to add more details to the blanket, maybe slap a chunk of fur over it, and figure out some doodads for more character flavor and I'm also not in love with the jacket I referenced so I might keep changing up his outfit since the game itself has really expanded on design potential since I first slapped this down

time to cross my fingers that I'll finish these guys soon

[voidedtea]

[ID in alt]

my pieces for @strawberrij's thespius fashion zine!! quite the endeavour and adventure that turned out pretty neat i think :]

special thanks go to @ratchetclankarecute for posing/cloth references + the bulk of the image descriptions! that first image would Not have happened without them <3

[ineed-to-sleep]

And what if I said I scrapped like half of this comic, rewrote it and started redrawing it 👉🏻👈🏻 :3

[surreal-duck]

master artist and his number one fan

guy who is being so normal about the new additions to their profiles. i think abt midoris initial infatuation with his art slowly developing into appreciating yuzuru himself as a person and idol to the point he worries about how he sees him (ex: a bit of home party and in workplace survival rules) sometimes thats a lie i think about it a lot. and yuzuru learning to enjoy art just for the sake of drawing!! seeing the lets try diy story where he doesnt even refute drawing on midoris desk and was only worried that his doodles might cover up the mascot design compared to how discouraged he usually would be in earlier ! stories. everything to me i adore their dynamic if that wasnt obvious by *gestures to basically everything*

and happy pride month 🏳‍🌈

[luna-the-bard]

Bill is taking over my brain and I haven’t even received the actual book yet, I’m just absorbing all the content on the internet like a sponge

Also that lalalala sound is eating at my brain

[david-watts]

I love adding my leftover paint into my sketchbook it's so much fun and it adds texture which I find I like considering how differently I feel like I have been approaching art recently. and also it helps if I want to add markers to something because it hides the bleed-through, although I don't use my markers as much because of the aforementioned change in approach. however the problem is if I'm just going to glob paint down I need to do so when I don't intend on using the sketchbook because I just shot myself in the foot and I have to wait for it to dry

[theladysherlock]

Trying out a new rendering style with my best boy Ethan!

(click for proper colors, tumblr nerfed them for some reason)

[hauntingblue]

Skypiea time part 2

She is a woman..... this is sanji's influence... in whiskey peak his slashes were non gendered

Ace just letting himself get pushed into the river like aight my bad I will take my punishment.... he really is so well mannered (it sounds like I'm talking about a dog)

Conis showing that nami influence.... gfs....

Nami and luffy twins moment look how relieved she is... this whole fight is so theirs...

Also how funny it is that the milk girl gave ace a shirt.... also new pants??? She must think he lost the shirt in the river.... no girl he is just a slut...

Nami: okay ❤️ yay ❤️

Noland just thinking about where karugara is and if he is alright in his EXECUTION!! SICK AND TWISTED

OMG BOUNDMAN INSPO????

NO ACEEE NOOOOOOOO

THE END OF ACES STORY IS THAT THE COFFE IS NO LONGER BITTER BC THEY SERVE IT WITH MILK AND WHY AM I EMOTIONAL ABOUT IT

[skidaddleskidoodles]

Ngl your oc sketch pages are SUUUPER cute and inspiring, now I want to doodle mine like that!! :D so many good expressions and cuteness, lovely job 💕

thats so sweet of you to say, i did the sketch pages half because im lazy and didn't feel like coloring everything and half because i was working on making expressions more ,, expressive lol so it makes me very happy to hear this (:

[thechiton]

Make a terrible comic day (late now). Lyrics of bela lugosi's dead by bauhaus.

[comvi]

I always have to remind myself that I don’t need to push myself to make art, and I don’t need to apologize or feel bad for not making a lot of art. art is something that should make me feel happy, so if I’m pushing myself to the point of not enjoying it anymore, then I should just stop and calm down for a second. and take some time for myself. Art won’t disappear, it will always be there waiting for me again, its okay for me to take some time doing others things sometimes.

[sheyshen]

doing these sketch redraws is kinda fun because I'm getting to see how much I've improved over the years and how much I've learned. and I hate to say that the number 1 way to improve has literally been to just draw as much as you can and to try drawing things you aren't used to alongside things you love to draw. use references, study photos, try different brushes, experiment, push your limits and just keep try to have fun with it.

[sanctus-ingenium]

Camera & Action in their own original concept sketches. these were on my other blog but since ppl seem to enjoy the designs i thought i'd have them here as well

ppl may already know that pascal is no longer in the canon of inver, i decided to make a new story :)

so it's about these pseudo-AI assistant/virtual creatures called imimata (singular: imimaton). In the context of the story it's specifically about celebrity culture, virtual pop stars/TV presenters, and labour relations

[copy-pasted explanation from the other blog lol but i have a tag for it here too with a lot more posts!!]

Think of a completely formless seed that, for a fleeting moment, has the potential to become an artificial intelligence, but always changing, with endless permutations and no permanent state of being. when kept within a resonance chamber (the ‘container’ that may be analogue or digital etc), it is fixed into place long enough for it to be able to become. the chamber holds it and allows it to develop instead of dissipate away instantly. the process of development led by external forces - intentional or unintentional - is called 'encoding’. professional encoders will essentially use this shapeless state of being to encode commands, personality prompts, and rules, essentially moulding the thing in the resonance chamber into a form dictated by them. when i say unintentional, i also mean that exposure to any stimulus will always be a learning experience, and the thing will grow and develop no matter what if it first gets fixed in one place. but it’s only referred to as an imimaton once it has been encoded - no longer raw matter, but hammered into shape.

encoding is basically the socialisation of an impressionable thing into a biddable and useful form. in the early Hertzian era (when this technology took off, 1830s ish - crucially, before the commercial application of imimata, when they were curious playthings for idle Great Thinkers), encoding was a process of conversation lasting many years, often for purely philosophical purposes, literally talking at something until it talked back. prior to this, natural magnets could be used to fix a proto-imimaton, and people would think of them as similar to homunculi. in today's digital era, encoding takes the form of inserting storage media into the chamber, essentially running a program in a computer that reduced the encoding process to a few seconds and the flip of a switch. Pascal is an example of a Hertzian imimaton, composed of information stored in radio waves rather than a digital storage medium (basically - he's analogue)

outside of encoding, clauses may be placed upon the chamber itself and these are less socialisation, they do not form the building blocks of an imimaton, they are purely strict rules and routines which it is bound to follow. one such clause could involve the censorship of certain words (so that an imimaton cannot say fuck even if they would otherwise have been able to), or strict boundaries on what information an imimaton is allowed to learn. a common clause also boils down to making it impossible for one to attempt to manifest physically.

Once this was perfected, imimata entered the workforce at the turn of the 20th century.

[...]

When Pascal made his TV debut in 1969, it was hyped up for months with ads which depicted him on set and in more realistic ways (almost appearing to be photographs - some even were!), while public reaction was carefully monitored. This was highly experimental and it still was not known whether the concept of a virtual TV presenter worked, so although they did hype it up, there was a level of caution too so as not to invite negative press.

The first series did not involve public audience members but people from the broadcasting studio standing in for them (this was not made known at the time). They used a combination of camera tricks and graphics to make it feel like he was physically standing in a room with these people (bearing in mind he was strictly contained and had no manifestation outside the broadcast - he was within a container at the base of the mast tower, with a recording device which could cast his image live, so viewers at home were seeing cuts of the Pascal feed and cuts of the physical studio and audience stitched together to appear continuous)

That was part of the gimmick - it was commonly felt that an imimaton should never be permitted to manifest/should have no manifestation, so the fact that he supposedly was manifesting but friendly and contained was a draw. the ads leaned into it quite a lot - marketing copy implying that you could touch him, go on dates with him, etc but always with a cheeky wink, a "not really", the audience at home were in on the secret of it not being real. but it worked really well and was super effective to generate hype and it sparked an entire golden era of imimata and manufactured celebrities (but Pascal remained notorious for being one of the only ones that could believably interact with a studio audience in an unscripted manner, due to his 'maturity' as an imimaton, having been brought up in the 19th century conversational era of encoding, raised on a diet of talking to philosophers)

The second season of the show came out quickly and to much anticipation, and with members of the public actually participating for the first time. The broadcasters set up a wall of CRTs in the studio which would display him to people on-set, and wired up each audience member with a microphone so he could hear them too (he appeared to see them well enough through the camera equipment). he was excited to interact with them and they liked him too, but he always had this slightly mean streak which his broadcaster tried hard to soften. but the meanness worked really well in the reality/game show format where half the entertainment is watching audience members get dunked on sometimes

Episodes could be produced at a rapid pace by taping multiple at once - three identical sets were built for season 3 allowing for three episodes to be filmed at once because he could of course interact with everyone freely and essentially be in multiple places at once. this was also where the first issues showed up on-set - he began to miss his timing cues, arriving just a bit too late to the stage, or taking slightly too long to finish his nightly sign-off. this was not apparent publicly as the episodes were not shown live and could be edited, but any member of the public who was on the show was often hounded after by superfans, so some stories did come out about Pascal's 'odd' behaviour on set. there was a behind-the-scenes documentary made about the entire producing process in season 3 as well, which included some interviews with Pascal himself, but mostly consisted of his handlers and technicians excitedly explaining the broadcast apparatus and containment devices and so on.

Following The Incident, the rare copies of this film became highly sought-after by collectors.

[mrsketchy]

He's a Phantom

Heya, I've been meaning to post my parts for the Rephanimated project and suffered a terrible case of procrastination.

I have a few scenes in the MAP, so more posts to come~ Behind the scenes and animation progress under the cut:

Part One: Base sketch and keyframes. Pretty self explanatory, redrawing Danno in my own style and figuring out his moving parts

Part Two: I wanted to have his eyes react to the light somewhat, so I workshopped some ideas regarding pupils and shine. I usually try a few different effects in the draft stage before I decide on which I'll choose

Part Three: While I took some time to think about it, decided to move on to the line art and blocking out the silhouette.

Part Four: By now I had a better idea of how I wanted to animate the eyes, having them follow the light along with the cat pupil (because why not) I coloured the base here too

Part Five: I continue colouring like any regular drawing, adding overlays and shadows (multiply layer) to give it a bit more vibrancy.

The eyes also get a shine effect that I had attempted in the draft, just a lot cleaner looking

Part Six: This part was painful, since I knew what I wanted to do but didn't have the know how on how to make it happen. Turns out masking/clipping can be temperamental for animation if you don't plan ahead. I ended up getting it to work after several attempts

Part Seven: Now I was ): because the eye animations were mostly hidden, so I decided to copy + paste them onto a new layer, then have them fade out so you have a few extra frames of spooky atmosphere

Part Eight: Lastly, darkening the scene and exporting

Thanks for coming to my TED Talk, I hope some of you's found this interesting. If you have any questions on how I did stuff, feel free to ask~ I look forward to animating more in the future, this project was a real learning curve, but very rewarding to work with everyone ty

-mrsketchy

[kyri45]

A final letter

Hello Everyone!

The queue is paused and everything is scheduled, which means we are ready for the finale!

I know that, in the end, this was just a silly side project for me, with everything else going on in my life. But for this occasion, I wanted to drop some words here and hope they make sense.

I started watching LMK only because a friend told me there was a "Sonadow-coded" ship. I ended up consuming the entire thing in one sitting on July 10th, 2024. At the time, I was still recovering from a bike accident that had left me with a broken right forearm—unable to draw for a little over a month. (I did try drawing with my left finger, but it wasn't exactly fun.)

Not only that, but it was summer, and I couldn’t enjoy the season or practice my main sport, windsurfing. To say I was feeling the blues is an understatement. I remember being in physical pain just from not being able to draw my sillies. But then, watching LMK did something to my brain chemistry that my little undiagnosed autistic self had never experienced before. It hit so hard that I’ve been physically unable to rewatch the show SINCE that very first day. (And y’all still call me the CEO of this fandom. Bro, I just work here.)

A lot of you have asked what inspired me to start this comic or to draw LMK fan art in the first place. While my usual answer is, "I saw Shadowpeach and thought MK could be their lovechild, given his appearance," the moment that actually started it all was THIS ONE—

(I HAD TO REWATCH THIS SCENE TO MAKE THE GIF AND IT HURT ME ON A MOLECOLAR LEVEL)

I have… a thing for characters who discover their entire identity was something else all along. It consumes my thoughts, my dreams, my every waking moment. I live for identity crises, for characters who thought they knew who they were, only to be forced to rediscover themselves, their existence, and their place in the world. If you give me a story where a character has to go through that, I will like it—regardless of how bad the rest of the story is.

Pair that with loads of trauma, daddy issues, the pressure of a legacy, and world-ending stakes, and congrats! Now I’m obsessed, and I will not stop thinking about it for the rest of my days!

At first, my brain just wanted to release some of that energy with a small, four-panel post about the monkeys discovering that MK was technically their kid.

That was supposed to be it.

But since I never seem to learn my lesson, it didn’t stay like that. Because once I started drawing, I just... continued.

And

I

never

stopped.

A lot of you have also asked how I found the motivation to draw so much, to never take a break. Well, I’ve said it before, and I’ll say it one last time: I am my number one fan. No matter how much you laughed, cried, screamed, or went feral over this story, I did all of that and more. Because I got to think about the chapters months before they released. I got to daydream about them. I got to watch them come to life—first through sketches, then line art, then dialogue. And finally, I got to witness your reactions and see the incredible creations you made, inspired by my story.

So yeah, in a way, it was almost an addiction. A good addiction. Because, for the first time in my life, I actually understood what loving art means.

I’ve been drawing for ten years, working professionally for five, but I never loved art before. I just liked it because I happened to be good at it. But creating this comic made me understand why artists say, "Oh, I’ve loved drawing since I was a child!" This was the first time I allowed myself to create purely for my own enjoyment. Something I hadn’t had the privilege to do for a long time.

Other than making me feel even more single than I already was, this story somehow also helped me a little with my own family relationships. So yeah. Crazy how the gay monkeys changed my life.

Of course, I never could have predicted how much traction my AU would gain. Man, y’all were really starving to latch onto something this silly. /j

But yeah—thank you. Thank you for sticking around until the end, for having the patience and trust to follow the story even when I made you rage with angst and cliffhangers. (The statement in my bio still stands: I am not responsible for any physical or emotional damage my art has caused.)

I’m absolutely shit at thanking people, or at writing, or at talking in general, honestly. I’m the furthest thing from being good with words, so I hope the final chapter will be enough to show you my gratitude.

Through this story, I met so many wonderful, talented people. I watched as fans across different platforms found each other through memes and fanart of the AU. I saw artists start their own AUs inspired by mine, growing their own communities. I witnessed an explosion of creativity and collaboration through our takeovers. And I laughed along with you all.

And yeah—at its core, this story has always been about love. Whether it’s platonic, sibling, parental, romantic, or whatever the hell Mac and Wukong had going on for millennia.

At its heart, it’s a story about family.

And maybe, in the end… the real family wasn’t just the one in the comic, but the one we’ve found together along the way. 💛

See you all at the finale.

Love you all, freaks /affectionate

Jade